![]() As Blackmagic starts to focus heavily on keeping its users in Resolve for as many functions as possible, it's good news to have a dedicated tool for banding and dead pixel repair. There have always been some workarounds for fixing dead pixels in Resolve, but generally dead pixels, blotches and banding have been fixed better in other applications. You might use it for many things, but we'll always think of it as the splotch remover.ĭead Pixel Fixer in DaVinci Resolve 14. ![]() With Color Compressor, a larger, cleaner key of the whole person can be selected, then the colors are smooshed together. Technically, you could do a selector just for the red splotches and then push them over to match the rest of the skin, but it's always been tricky to do so and the likelihood for artifacts is high. Grab the person's face with the red splotchy cheeks, compress it all together to "skin" color and away you go. It allows you to select a group of colors and then "compress" them all together into one color. ![]() Color CompressorĬolor Compressor is one of those tools that is probably useful for a wide variety of things, but has one such clear and obvious use that it is surprising they didn't just call it "skin tone smoother." If you have a performer who has irregular skin tone, perhaps blotchy cheeks from exertion or some other imperfection, Color Compressor is going to be a useful tool. Here are five new unsung features that make Resolve 14 worth a look.Ĭolor compressor in DaVinci Resolve 14. Now that the software is finally out of beta, we noticed a host of other features that we thought deserved a mention. Several major features of Blackmagic Design's DaVinci Resolve 14 have received a lot of attention in the press this year: shared user workflows, integrated digital audio workstation with Fairlight, automated face recognition, and tracking. ![]() We discovered five exciting features of Resolve 14 that haven't received much attention. ![]()
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